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Communicating the faith through stories of the saints and martyrs

Friday 6th September 2019

The CHC @ The Catholic Universe

Communicating the faith through stories of the saints and martyrs

Sr Emanuela Edwards looks at storytelling and how, even in our hi-tech digital age, it remains a powerful way to communicate the faith.

One of the greatest challenges, if not the greatest, for the Christian Heritage Centre at Stonyhurst is the communication of the faith to the people of our time. The Christian faith we possess, and the roots of our Christian Heritage must be rendered interesting and challenging and be communicated to everyone. It should be done in such a way that it can reinforce the faith of those who believe, whilst at the same time reach out to the periphery to speak of God’s love for all even to those who would not usually be interested!

One way of achieving this aim is to use the ancient art of storytelling. Since primitive times, stories have been used to transmit important truths, events and lessons to successive generations. In fact, the faith was originally handed on by the Apostles who testified or told the story of what they witnessed and learned from Christ. Artefacts and relics, like those in the Stonyhurst Collection, physically bring the stories of the martyrs and saints into proximity to those who look upon the objects. Pope Leo I asked, “why should the mind toil when the sight instructs” and indeed, looking at these artefacts and explaining their story presents an opportunity to recount the Christian faith in a captivating way.

Writing in the 4th Century Tertullian said, “the blood of the martyrs is the seed of the faith”. Encountering the stories of the lives of the saints and martyrs who have shaped our Christian Heritage sows the seeds of the faith in successive generations. Each artefact in the Stonyhurst Collections works like a silent sermon because it testifies to the life and witness of the martyr in question making their stories enter the present time and touch the life of the person viewing the object perhaps causing them to consider its lesson. Therefore, the stories of the Saints and martyrs become living lessons in the faith that can teach and inspire new generations hopefully calling them to a deeper conversion.

Oscar Romero Relic and Triptych. Relic is the property of a private individual on loan to Stonyhurst College. Triptych and bust of Romero are property of Stonyhurst College Photo: Property of Stonyhurst College

One of the most striking stories in the Collections is told by the relic of the rope that bound St Edmund Campion to the hurdle on which he was dragged through the streets of London before his execution. (The actual relic is the property of the British Jesuit Province on loan to Stonyhurst College). That rope tells the story of a Priest who, on penalty of death, nevertheless came to England in 1580 to preach the Gospel, confess and offer the Sacrifice of the Holy Mass to the Catholics driven underground in order to practice their faith. He preached and disseminated his famous Decem Rationes – ten reasons demonstrating the truth of the Catholic religion and was eventually captured, imprisoned and tortured before his execution at Tyburn on the 1st December 1581. His story raises an interesting question: why did St Edmund not yield to the tortures and inducements to conform in order to save his life? By word and deed St Edmund most eloquently testified that the Catholic faith is worth dying for. He did not change the course of his life as he knew that a seed must die to yield fruit (cfr. Jn 12:24). Today, that fruit is harvested in the hearts of those who are told of this heroic Priest whose behaviour was inspired by the truth of Christ and are brought into contact with the faith he died to proclaim.

Drawing of Edmund Campion SJ by Charles Weld, c1850, from a 17th century original painting.

The Collections also have a part of the vestment worn by St Oscar Romero who was killed in El Salvador in 1980 whilst offering the Holy Mass. This relic serves as a poignant reminder that Christian martyrdom is not an ancient reality but that this story still continues today.

Another English martyr whose story is told through the artefacts and relics of the Stonyhurst Collections is St Thomas More, the Lord Chancellor of England, who was martyred for refusing to take the Oath of Succession in 1535. This saint’s story demonstrates how artefacts and relics can show the faith of the saint rather than just tell of it hence providing a more powerful source of Christian inspiration. During the homily for the Canonisation of St Thomas More, Pope Pius XI spoke of the “ardour of his prayer” and the “practice of those penances by which he kept his body in subjection.” Indeed, this can be borne out by close inspection of his golden crucifix with spikes on the back that was worn as a penance by the Saint. Here we learn something of the intimate life of the Saint that was founded on a deep prayer life. In fact, it was this intimacy with Christ that strengthened him to resist the tears of his wife and children over his condemnation and to be, “content to lose goods, land and life as well rather than to swear against his conscience”. In this way, the stories of the Saints also teach us that Christian witness is borne through a closeness to Christ in prayer and is not the fruit of the passing moment.

It is hoped that a visit to this beautiful collection will make the stories of the Saints vibrate in our hearts giving us a living lesson in the truths of the faith. May the stories of the martyrs strengthen us by imparting the knowledge of the faith and the inspiration to live it so that we too can witness to our rich Christian heritage that shaped our past and partake in its reconstruction in our own time.

Sr Emanuela Edwards

Missionaries of Divine Revelation
Trustee of the Christian Heritage Centre at Stonyhurst
[email protected]
www.mdrevelation.org

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Sacred places that speak of the Catholic Faith throughout the ages

Friday 2nd August 2019

The CHC @ The Catholic Universe

Sacred places that speak of the Catholic Faith throughout different ages

Stefan Kaminski

Times change; people and places come and go. But the one Person a Christian relies on never changes or leaves: “Jesus Christ is the same yesterday and today and for ever” (Hebrews 13:8).  This fundamental conviction remains true for all Christians regardless of the age or society in which they live. It provides the same foundational inspiration for every authentic Christian life, and unites people throughout history – and indeed outside of history – in the hope of the Resurrection.

Up in Lancashire, within the space of about 10 miles (as the crow flies) one can visit the ruins of Whalley Abbey, the Shrine of Ladyewell at Fernyhalgh and Stonyhurst College. Each of these speaks in a particular way of a different era and dimension of the Catholic faith: each place witnesses to individuals and communities that bore out the conviction expressed by St Paul at various times and in various walks of life.

The Cistercian abbey at Whalley dates from the Middle Ages

Whalley Abbey testifies to monastic life, in the form of Cistercian monks, during the late Middle Ages. Established in 1296, it had a relatively short life of less than 250 years, before being dissolved by Henry VIII. Despite the bad press that is sometimes meted out, monasteries served as an important cultural driving force, maintaining the art of writing and illuminating manuscripts, generating artistic and architectural trade, and working the land to sustain their communities. If the Cistercian monks were more aesthetic and orientated to a life of prayer, all the more because of their desire to serve God alone.

Although the Shrine at Fernyhalgh pre-dates the Abbey with a devotional history extending back to the 11th century, it speaks most powerfully of the harshest period of the Protestant Reformation and the testimony of the Martyr-saints. The staunch faithfulness of local recusant Catholics, the determination of missionary priests and the willingness of all to lay down their lives for their belief in the one Church established by Jesus Christ, is vividly expressed in the collection of relics and in the famous Burgess Altar. This latter is a beautifully carved wooden altar, complete with a triptych of panels and a Nativity Scene underneath, which closes up to disguise itself as cupboard. Saints Edmund Campion and Edmund Arrowsmith are amongst the many priests to have offered Holy Mass at it, risking their lives and those of their congregation for this greatest of Mysteries.

Stonyhurst College of course begins its history precisely because of the Reformation, with the establishment of the school at St Omers in France, in 1593. Its story on English soil starts in 1794. Across both periods however, the school’s story is a testimony to the creativity, ingenuity, learning and sheer hard work of the Jesuit order. The great learnedness of the Society’s members is evidenced in multifarious ways in the school’s operations: the contribution to astronomy through the work of its observatory; the design and operation of its own powerplant; the writing and production of whole series of plays; numerous musical contributions.  All of this has its inspiration and final end “ad majorem Dei gloriam” (for the greater glory of God).

Across this panoply of Catholic activity, the underlying dynamic is the same: a personal conviction that God became man, and that He died and rose on the Cross for our salvation. If we wonder at the force of the conviction held by those monks, martyrs and school masters, it is because it was not simply a belief: it was faith. And therein lies a subtle, but substantial, distinction. In a society which tends towards viewing beliefs as a private matter, each as valid as the next, which may be held freely so long as they do not interfere in the lives of others, it is easy to lose a sense of the grandeur of the theological faith that the Church holds.

The Burgess Altar at the Ladyewell Shrine, Fernyhalgh

Beliefs are common to everyone – be they beliefs in a political system or in the wisdom of their favourite TV personality – and indeed everyone has some belief about God. In all its guises however, belief remains an intellectual act that begins and ends with the human individual. As such, it only has its foundations in that same person.

Faith, on the other hand, is a response. It is firstly the acceptance of Truth: the highest and final Truth, which is valid for all people in all places. This Truth is known to be true by the Christian, not because he or she thinks it an attractive thing to believe, but because it comes from God. How do we know it comes from God? Because we choose to believe the corporate witness of the Church: from those first Christians who saw the God-man walk this earth, down to each and every man, woman and child who has testified to that Truth with their lives over the last two millenia.

Such a faith does not remain a personal belief for private consumption: it prompts an obedience (literally, a “listening to” as the Latin roots signifies) and subsequent action. From Abraham taking all his family and possessions to an unknown destination across the Arabian desert, to those parents of the 17th and 18th centuries illicitly sending their sons across the Channel to receive a Catholic education, they all acted on “the assurance of things hoped for, the conviction of things not seen” (Hebrews 11:1): they had faith.

We might be tempted to wonder dubiously at our own faith (or indeed, to avoid asking ourselves what might feel like an embarrassing question!). However, Rome was not built in a day, and neither were places such as Whalley Abbey, Ladyewell and Stonyhurst. The real work started with the daily prayer and attentiveness to God of each individual concerned in all of those histories. The places that remain – be they merely the stones of a ruined church or a functioning school – reach back to beyond the external achievements of those Catholics: they bear witness firstly to lives that were centred around God. Without that continued response of faith – an acknowledgement of God, a prayerful listening to His Word, a striving to live out His teachings – there would be nothing for us to marvel at.

Visiting sites such as Fernyhalgh and Stonyhurst, one should therefore see “through” each physical place to the faith of the men and women that built them. They might be of another era and walk of life, but they follow the same Lord Jesus. They are now united with Him in the great “cloud of witnesses” that watches over us, waiting for us to pick up the baton and run the good race in our own time, and so join them in our heavenly destination (cf. Hebrews 12:1).

Stefan Kaminski is the Director of The Christian Heritage Centre

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Easter notes: How his Catholic faith fired Tolkien’s imagination​

Friday 3rd May 2019

The CHC @ The Catholic Universe

Easter notes: How his Catholic faith fired Tolkien’s imagination

Stefan Kaminski

Stonyhurst College and its surroundings have a long connection with J.R.R. Tolkien. As a father of four, Tolkien often visited two of his sons at Stonyhurst. Whilst John was based at St Mary’s House as a student for the priesthood during the Second World War, his father spent many an afternoon in the College working on the script of The Lord of the Rings. Tolkien would later return to the school in the ‘60s and ‘70s to visit Michael, who taught classics. The Tolkien Trail, with the Stonyhurst estate at its heart, capitalises on this likely source of real-life inspiration for Middle-Earth and directs the mildly-intrepid explorer from the Shireburn Arms, along Shire Lane, past a now disused ferry crossing and on through other evocative locations.

 Whether or not Tolkien had precisely these locations in mind when he penned his saga, the attentive reader cannot fail to see echoes of Middle-Earth in this landscape. From the homely habitations of the Ribble Valley to the brooding presence of Pendle Hill behind thick forest, one can easily find oneself accompanying Bilbo or Frodo along the earlier stages of their journeys in one’s imagination. And with springtime in the air, the unusually marvellous weather is making the Ribble Valley positively sing with the busyness of its fauna and the blossoming of its flora. New life emerges everywhere in its innocence and vibrancy.

The springtime beauty of God’s creation, so eloquently described by Tolkien and so fundamental a theme in the history of Middle-Earth, is of particular poignancy to the Christian at Easter time. The visible signs of life and growth should be a reflection of those occurring in the depths of our souls, after our Lenten preparation. The highlight of the liturgical year – the triumph of life over death and the conquering of sin – constitutes a rallying cry for each individual to new life in Jesus Christ. Easter is the springtime of our souls.

The fact that the Resurrection does indeed involve a personal dimension and not just a cosmic one, is beautifully reflected in Tolkien’s work. Although the LotR saga is undoubtedly attractive for its themes and for the sheer scale of the work, the minds and hearts of readers are drawn into this epic through a very ordinary protagonist with very ordinary worries and struggles. Frodo the hobbit is caught up in matters far greater than himself, yet within the drama of the cosmic struggle is woven his personal contribution with its own strife

J.R.R. Tolkien in WWI uniform

Although Tolkien was clear that The Lord of the Rings was a profoundly religious work, one that built on and explored his Catholic faith, he did not wish for it to be explicitly Christian. The tale is therefore pre-Christian in the sense that it does not directly encapsulate the concept of God’s final revelation and redemption in His Son. Nonetheless, one can find allusions to the Christ throughout the narrative.  One of the clearest such references is the figure of Gandalf the Grey. His duel with the Balrog at the gates of Moria sees him fall “beyond light and knowledge… far under the living earth, where time is not counted.” There, he battles until this fearful enemy is defeated, after which Gandalf returns to the hobbit and co. as a new-and-yet-not-new Gandalf, the White.

Through the figure of Gandalf, we are taught some important lessons about the Paschal mystery. It is Gandalf who is the catalyst for both Bilbo and Frodo setting out on their respective journeys: his is the ‘voice’ that summons them to adventure and to great deeds. For those not familiar with the habits of hobbits, it should be remembered that these are a very homely and comfortable race, that do not like to stray far from their next meal or cup of tea. In this sense, Bilbo and Frodo’s journeys involve a certain detachment and stepping outside of their comfort zones. This is the process by which they are transformed, a hint of the “new creation” which the grace of Christ enables (2 Cor 5:17). “My dear Bilbo!” exclaims Gandalf, “Something is the matter with you! You are not the hobbit that you were.” This is what the process of purification, including the age-long discipline of fasting, is for: to exorcise our worldly attachments in order to free the soul for a renewed growth.

The scenic River Hodder meanders through the Lancashire countryside near Stonyhurst. This tranquil spot was an inspiration for the leafy lanes of Tolkien’s Shire

Lastly, and perhaps most powerfully of all, the final victory over the power of darkness reveals the operation of a certain Providence in and through the freely willed actions of individuals. It is not a providence that overrides minds and hearts; indeed, despite Frodo’s magnificent efforts, he fails at the very end of his mission insofar as he tries to claim the Ring for himself rather than destroy it. Yet the mission is brought to completion by the continued greed of Gollum, who in a final grasp for the Ring sends both it and himself to their fiery doom. In this way, Tolkien expresses a firm sense of the Divine Omniscience who works in and through each of His beloved creatures, allowing us to respond (or otherwise) to His grace; and regardless, always bringing about a greater good from every situation. So Gandalf tells Bilbo: “Surely you don’t disbelieve the prophecies, because you had a hand in bringing them about yourself? You don’t really suppose, do you, that all your adventures and escapes were managed by mere luck, just for your sole benefit?”

Easter is a time not just to celebrate, but to consider our own response to God’s grace. Confidence in His mercy should all the more encourage our own striving for that which might otherwise seem too much of an ‘ask’. And if we are short of a good read, Tolkien provides both inspiration and much to ponder with a solidly Christian flavour.

Stefan Kaminski is the Director of The Christian Heritage Centre

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19th century visionary asks all to be ecologists

Friday 3rd August 2018

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19th century visionary asks all to be ecologists

The Very Rev. Damian Howard, SJ

Beneath a glass panel in the floor of the Wakefield Museum you’ll find a large caiman, a kind of South American alligator. It is a preserved specimen and part of a collection made by Charles Waterton, an alumnus of Stonyhurst College.

Waterton made several trips to British Guiana (now Guyana) in the early 19th century, building an impressive collection of preserved animals which he later presented to his old school. In 1966, the bulk of this collection was placed on display in Wakefield, and since then has often been back on display at Stonyhurst.

Central to Pope Francis’ 2015 encyclical Laudato Si’ is the idea of ‘integral ecology’. This recognises that humans are part of a vast network of living beings on the planet upon which we are wholly dependent. That network is itself simply a part of a wider series of relationships with the entire creation: the light of the sun, the waters of the oceans, the minerals we build with, and the air that we breathe.

Pope Francis here joins his voice to those who call us to recognise that our current irresponsible use of the gifts of creation runs the risk of making the Earth uninhabitable by ourselves and other species. We have a duty to care for ‘our common home’.

Charles Waterton’s natural history specimens at Stonyhurst College c. 1890

There is something new here for Christian faith to grapple with. An old-fashioned but distorted outlook took the mandate of Genesis 1:28 (‘Be fruitful, multiply, fill the earth and subdue it. Be masters of the fish of the sea, the birds of heaven and all the living creatures that move on earth’) as permission for human beings to dominate the rest of creation, exploiting it as we see fit to meet our needs. Those areas where men and women had not yet settled were ‘wilderness’, the habitat of evil spirits, and destined to be tamed and brought under human control.

Over the centuries, forests were cleared for agriculture, animals domesticated for food, rivers dammed and mines dug. Human beings were fruitful and multiplied, spreading across the globe, seizing the natural resources for themselves.

Left, detail of Charles Waterton’s bird specimens at Stonyhurst College.

By the 19th century, in the wake of the industrial revolution, the harmful effects of this unchecked exploitation were becoming clear. Pollution poisoned waterways and air, slums in the ever-growing cities and diseases such as cholera and TB were rife. Concern about this situation grew and, alongside this, some began to look for alternative lifestyles and modes of development.

Charles Waterton was an early example of this quest. In 1824 he returned from his last visit to Guiana to Walton Hall, his family home in Yorkshire. Over the next few years, he built a nine-foot wall stretching for three miles around his estate, and ran it as a nature reserve, with a lake for wildfowl. He prosecuted a local soapworks when effluent from their factory seeped into the water supply. He wrote extensively on natural history and conservation. These achievements were recognised by Sir Richard Attenborough when he opened a new display of Waterton’s work in Wakefield in 2013.

It may have taken the Church a little while to latch on to these concerns, but when she did she spoke firmly on the matter. By 1971, Pope Paul VI, in his encyclical Octogesima Adveniens, was able to write that ‘due to an ill-considered exploitation of nature, humanity runs the risk of destroying it and becoming in turn a victim of this degradation’ – lines quoted later in Laudato Si’.

Ecumenically, a movement which had been known as Justice and Peace was, by the 1980s, commonly employing the acronym JPIC – justice, peace, and the integrity of creation. This change recognised the fact that there could not be a just and peaceful world unless the Earth’s resources were shared equally. More, it acknowledged that these resources were finite, and it would not be possible for the developing nations to exploit them to the extent that the western countries had been doing.

No-one is surprised these days when a papal document is addressed not exclusively to the Catholic faithful but to all men and women of good will, of all faiths and none; and that is the audience Laudato Si’ has in mind, too. This commitment to work for an integral ecology is a prime example of an area in which believers find themselves collaborating with all sorts of different people. Some of them, indeed, are far ahead of most Christians in their engagement and experience. As well as something precious to offer, we have much to learn. Indeed, the scale of the crisis facing humanity is such that it will require as many as possible to work together if they are to be addressed adequately.

For the Jesuits in Britain, the much-regretted closure of Heythrop College, a college of the University of London, has presented an opportunity to explore new avenues, inspired by the teaching of Pope Francis. Heythrop offered excellent teaching and research in philosophy and theology for nearly 50 years. It is now our intention to redeploy some personnel and finance which once served Heythrop to the new intellectual task of coming to a deeper understanding of integral ecology.

It is important to note that this concept, as Pope Francis expounds in Laudato Si’, is not simply about climate change or recycling, important as these topics are. It means more; it is nothing less than a renewed vision of what it is to be a follower of Christ in the 21st century. Pope Francis wants us to take part in a bold cultural revolution, to reimagine society and our very civilisation in the light of the insight that “all things are connected”.

I believe that this new vision has the potential to bring diverse groups of people together, both inside and outside the Church, maybe even helping us overcome the divisions which still remain as the legacy of the Reformation.

British Jesuits are currently working in three ways. The first is to be a research institute, linked to Campion Hall, our Permanent Private Hall in the University of Oxford. Addressing the challenges we face will require careful interdisciplinary study. This institute will be able to pursue rigorous theological and philosophical research into the situation we face and help us to imagine alternative ways of living, more at- tuned to the Gospel.

The second element will be a centre, most likely in London, where we can provide education for people in the Church and beyond on these issues, and the Christian response to them. This will be aimed particularly at young adults, and is likely to include at least one Master’s level university course. Students will be able to draw on the resources of the Heythrop library, which is one of the largest libraries of Catholic theology and philosophy in the country.

Charles Waterton by Charles Willson Peale, 1824. Photo by Stephencdickson - Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=35651312

These two academic strands will be complemented by a more practical project, offering people the opportunity to get involved in ecological and other social justice projects, while being guided in ways of reflecting on their involvement and integrating this into their faith. Pope Francis has spoken repeatedly of discernment, and looks to the Jesuits, among others, to help all to further develop this spiritual practice. In time it may prove possible to set up communities which will be able to offer witness to living more harmoniously with the rest of creation.

All of this may seem to be a long way from Charles Waterton and the preserved animals he presented to Stonyhurst. But he was one of the first to recognise the dangers of regarding creation as nothing more than a resource to be exploited for human need – and greed. His collections have inspired generations of young people to think about their place in the natural world, and in each generation since some have gone on to make this study their life’s work.

It is my hope that the new project the Jesuits in Britain are developing will be similarly inspiring, leading many more to commit themselves to caring for our common home for the greater glory of God.

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Stonyhurst yields its mystical treasures

Friday 4th May 2018

The CHC @ The Catholic Universe

Stonyhurst yields its mysteries

Jonathan Luxmorre

Through the wide windows of a rambling but stately greystone building, the northern Lancashire countryside sweeps toward the Irish Sea in a maze of fields and woodlands. Inside, spring sunlight plays over shelves and glass cases, containing faded books and ancient artifacts amassed over four centuries.

When Stonyhurst College was founded at Saint-Omer in the Spanish Netherlands by the recusant Jesuit Fr Robert Persons in 1593, persecuted Catholic priests faced a mandatory death sentence if caught ministering in England.

More than four centuries later, Stonyhurst, the world’s oldest Jesuit school, houses a remarkable collection of relics relating to the country’s many martyrs. “Many things were being destroyed in Reformation England, so when Catholic boys came abroad to the school, they’d bring vestments, manuscripts and precious objects for safe keeping,” explained Jan Graffius, the collection’s curator. “This makes us part of the story Stonyhurst yields its mystical treasures and means we know what it was like to be targeted,” she said. “At a time when people know little about the struggles of the past, these relics provide a graphic reminder of what Catholics faced in upholding their faith.” 

 

The collections at Stonyhurst College provide a fascinating insight into the sometimes bloody history of the struggles faced by Catholicism in England
Church vestments form a substantial part of the Stonyhurst Collections

In 1794, when the school was forced to flee the French Revolution, its collection was already extensive. It was lucky to have the current site donated by a former student, Thomas Weld, father of Cardinal Thomas Weld (1773-1837). The Stonyhurst Collection, now being opened to visitors, has continued expanding.

 Its earliest exhibits include a piece of jawbone, documented to early medieval times, said to come from St Stephen. Its most recent relic is a piece of the bloodied vestment worn by St Oscar Romero of El Salvador when he was assassinated on 24th March 1980, while celebrating Mass.

“The idea is to provide an accessible public resource with a narrative tracing back 2,000 years,” Graffius said. “These objects tell their own stories, and people engaging with them can feel uncomfortable, even revolted. But no-one remains indifferent and everyone has questions to ask,” she added.

England’s Catholic Church was effectively outlawed under Queen Elizabeth I (1533-1603), who implemented her father’s break with Rome while officially seeking a Protestantled compromise, or “middle way”.

 Persecution was stepped up after Pope Pius V declared the Queen excommunicated and deposed in 1570 and following the 1588 rout of the Spanish Armada invasion fleet. It intensified following the failed 1605 Gunpowder Plot by Catholic militants against King James I, although Masses continued to be secretly celebrated at great personal risk by undercover Jesuit priests.

Choking off Catholic education was seen as key to stifling adherence to the traditional faith. It survived, but at a high price. In all, 23 Stonyhurst pupils were executed between 1610 and 1680; three have been canonised as martyrs and a dozen beatified.

The school’s Arundel Library includes works connected with the rebel Jacobite cause, as well as verses by the St Robert Southwell (1561-1595) and holographs by the 19th-century poet, Gerard Manley Hopkins, who trained as a priest at Stonyhurst.

The Stonyhurst Collection also contains some macabre items: a piece of the battered skull of the 12th-century martyr St Thomas Becket, preserved after his Canterbury shrine was smashed in 1539; the shoulder blade of a priest executed at Durham in 1590, still bearing knife slashes; and the eyeball of a beatified Jesuit, Fr Edward Oldcorne, brutally killed at Worcester for alleged complicity in the Gunpowder Plot.

Although religious restrictions began to be eased in England after the 1829 Catholic Relief Act, Catholic persecution victims were publicly commemorated only after the canonisation of 40 English and Welsh martyrs by St Paul VI in 1970. The keeping of relics, stamped out with the Reformation, has been much less common here than in continental Europe.

Where they survive, they provide a tangible link with past martyrs and faith witnesses and can be a challenging but valuable asset for the prayer life of Catholics, Graffius said. “For young people especially, without much awareness of history, they can also be a good teaching resource, evoking youngsters like themselves who made difficult choices and decisions,” she said. “Today, we still ask our children to do the right things in a world not very sympathetic to religious values. And though conditions are now quite different, Christians are still being persecuted. It isn’t just ancient history.”

Beyond the window, the Ribble Valley undulates toward Clitheroe over a landscape used by the visiting J.R.R. Tolkein as a setting for his monumental Lord of The Rings trilogy as the latest generation of Stonyhurst pupils returns from afternoon activities.

Having had barely a dozen pupils when it relocated here, the school quickly became one of England’s best, and now welcomes men and women students from around the world.

While a third of its students are non-Catholic, all must attend services in the college’s six churches and chapels and subscribe to the Jesuit ethos of prayer and service. That ethos has produced outstanding alumni, including seven Catholic archbishops, assorted government leaders, artists, missionaries, war heroes and revolutionaries.

Arthur Conan Doyle, creator of the sleuth Sherlock Holmes, studied here, as did Joseph Plunkett, executed for his part in Ireland’s 1916 Easter Rising, and Thomas Meagher, an Irish-born American Civil War general and later governor of Montana.

Stonyhurst College has called the stunning Ribble Valley home for over two hundred years.

So did Daniel Carroll, a signatory of the US Articles of Confederation and the US Constitution, and his brother John Carroll, founder of Georgetown University and the first American Catholic bishop, along with Oscar-winning actor Charles Laughton and George Walker, greatgrandfather of US President George W. Bush.

 Yet it’s the collection of relics that lends the most poignancy. “A centre like this should be viewed as a cultural resource, an expression of everyone’s search for God,” Graffius said.

“Faith is a lifelong journey, which requires us to open up and ask profound questions – to follow hearts and consciences without fearing the consequences. Objects like these show us how previous generations approached this vital task.”

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An old mill is turning into a spiritual hub at Stonyhurst

Friday 6th April 2018

The CHC @ The Catholic Universe

An old mill is being turned into a spiritual hub at Stonyhurst

Building work on Theodore House began on May Day last year. It is the ruined Victorian mill in the heart of Lancashire’s Ribble Valley now being transformed into a residential centre for families, pilgrims, schools and visitors to England’s Sacred County.

A building that once fed bodies will now feed souls and minds.

Theodore House is a free standing charity, at the heart of the Christian Heritage Centre project at Stonyhurst. The trustees have raised £3 million towards the building costs and borrowed a further million to be repaid over the next eight years. They are within shouting distance of the finishing line.

To complete the project this year, the trustees are tantalisingly close to raising the remaining £400,000 – and they hope to do it with one more heave.

Theodore House will have accommodation for 34 people – and include a refectory, library, lecture theatre, two seminar rooms, an atrium and an Oratory dedicated to Teresa of Calcutta and John Paul II.

Bishops and Catholic lay leaders have been deeply committed to the project. They have pointed out that the arbitrary closure and sale of retreat houses and other facilities has deprived Catholics of places geared to spiritual renewal.

Theodore House at Stonyhurst College

To help remedy this, Liverpool Archdiocese has contributed to the project – and given some beautiful stained glass depicting the Baptism of Jesus. Originally commissioned in 1923 by Fr John McKinley for his Toxteth church of St Malachy, the building was closed in 2001.

In Greek Theodore means ‘gift from God’, and the charity’s trustees believe that in our increasingly secular society Theodore House will be a wonderful gift to the Church in England and beyond.

A Syrian Christian who escaped the fall of his town to Islam, St Theodore was sent to England by the pope and became the eighth Archbishop of Canterbury.

Even the account of his remarkable life is itself a gift to contemporary Christians who take so many of today’s freedoms and opportunities for granted.

The plight of the worldwide persecuted Church will have a special place in the work of Theodore House, and Christian Leadership courses will be run to equip Catholics to become ‘servant leaders’. Retreats can be parish led and a team from Aid to the Church In Need, will be involved in leading school retreats.

Author of The Hobbit J. R. R. Tolkien and hospice pioneer Cicely Saunders

Theodore House will mark the notable, and sometimes courageous, Christian contribution to society through the naming of rooms – sponsored by benefactors to honour family members or great figures from our Christian story.

Stonyhurst’s celebrated archivist, David Knight, has been preparing short biographical details.

Among the rooms will be one named after Shahbaz Bhatti, the Catholic Minister for Minority Affairs in Pakistan, shot dead by the Taliban in March 2011.

Others will include St Maximilian Kolbe and Dietrich Bonhoeffer, who both died in Nazi concentration camps, and St Margaret Clitherow, married with three children and pregnant with her fourth child, who was crushed to death for harbouring a Catholic priest.

William Wilberforce, best known as the leader of the movement to stop the slave trade, and celebrated Christian writers G K Chesterton, C S Lewis and J R R Tolkien will also have rooms named after them, along with Dame Cicely Saunders the English Anglican nurse, social worker, physician and writer, best known for her role in the hospice movement, and Phyllis Bowman, a Jew who became Catholic after seeing the effects of abortion on women and unborn children.

Other rooms are being dedicated to the memories of Baroness Sue Ryder and her husband Lord Leonard Cheshire, Cardinal Basil Hume OSB, Blessed John Henry Newman and Matteo Ricci SJ, an Italian Jesuit missionary who introduced mathematical and astronomical knowledge to China.

The ‘special relationship’ between Britain and the US will be celebrated in rooms named for John & Charles Carroll, the Leo Family and the Knights of Columbus – the world’s largest Catholic fraternal service organisation, founded in the USA in 1882. Other bedrooms are being sponsored, among others, by the King Family, the Cowdall Family and the Brinkley Family.

One of the two seminar rooms is named after Lancashire’s Bowland Trust, the lecture theatre for Ben and Kim Chang, the library for the late Bridget and Peter Hardwick – kindly funded by Mark Thompson, of The NewYork Times, who was taught by Peter Hardwick, and the Oratory, which will include the work of Aidan Hart, is being generously supported by Graham Hutton, chairman of Aid to the Church in Need.

There are still naming opportunities available for the family annexe, a seminar room and some of the bedrooms. Potential benefactors should contact Anton de Piro: Tel: +44 7748272908 [email protected]

Among the very first of the groups to be booked into Theodore House later this year are some young Catholics working in Washington – some in the US Congress. They will link up with some of their British counterparts – a great investment for the future.

Those staying at Theodore House will be able to visit the historic libraries and see the unique Stonyhurst Collections, providing access, for the first time, for the 850,000 children in 2,200 British Catholic schools. These inspiring collections – which have been featured each month in The Universe – belong to the whole of the Catholic community.

 Objects can tell the old story in a challenging and fresh way, reminding us who we are and challenging us to renew the Faith as others have done before us.

Frances Ahearne is organising bookings and may be reached at 01254 827084 or by writing to [email protected]

Work progressing on the interior of the building

Nor will physical needs be neglected.

J R R Tolkien and the poet Gerard Manley Hopkins both had direct connections and there will be access for visitors to our Tolkien Trail and Hopkins Trail – with walks by the beautiful Rivers Ribble and Hodder and onto the Lancashire fells.

There will also be access to the Stonyhurst campus sports facilities, swimming pool, and golf course, which has a direct link with George Walker (forebear of President Bush and Walker Cup fame). Walking and cycling in the area will add to the perfect holiday or short break.

The charity’s website www.christianheritagecentre.com contains details of the Christian Heritage Centre Trustees and Patrons – including Lord and Lady Nicholas Windsor, Cardinal Vincent Nichols and Bishop John Arnold. Other Patrons include Ann Widdecombe, Baroness Cox, Sir Edward Leigh MP, Frank Field MP, and Field Marshall Lord Guthrie.

To help complete this labour of love the trustees’ immediate need is to raise £400,000. If you are able to give any help or would like further details please email the Chairman Lord Alton at [email protected] or Anton de Piro at: [email protected] telephone 07748272908.

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St Edmund’s rope binds us to the memory of his sacrifice

Friday 3rd November 2017

The CHC @ The Catholic Universe

St Edmund’s rope binds us to the memory of his sacrifice

Christopher Graffius

At Stonyhurst there’s a rope. Among all the treasures of the College this receives the most honour. Housed in a reliquary, it is placed on the altar on the great feast days. The pupil who carries it there, amid the candles and the incense, on its feast day on 1st December, will never forget the experience.

A simple rope, some five hundred years old. The rope that bound St Edmund Campion to the hurdle on which he was dragged to execution. A rope smuggled away from the butchery and worn by Fr Robert Persons, the founder of the college who escaped the martyrdom of his companion, round his waist for the rest of his life. What’s the point of a rope? Is it merely a cultural artefact collected amid the gore? Or does it hold a greater meaning? As the new Christian Heritage Centre rises at Stonyhurst these are questions worth asking.

Museums must have some relevance or the exhibits are merely dry as dust. That simple rope holds a message as important to us today as it was when it played its part in Campion’s sacrifice.

As Westminster Cathedral, Stonyhurst and many other buildings are floodlit red on 22nd November – Red Wednesday – and Christians commemorate the killing of today’s modern martyrs, there is a direct link to Campion and others who have died for their faith.

Stonyhurst College lit up for Red Wednesday in solidarity with those persecuted for their faith

Campion epitomises the heroism of recusant England.

Fr Clement Tigar, who championed the cause of the Forty Martyrs, wrote: ‘In June 1580, when Campion landed on these shores in disguise, he brought with him the spirit of chivalry in defence of the ancient Faith. By his holiness of life, his unquenchable good humour, his charm of manner, his burning eloquence, he put new heart, new courage, new enthusiasm, into the persecuted, dejected Catholics of England.’

It hadn’t always been so. Campion was a scholarship boy and learned early to please the establishment. He was chosen to speak before Queen Mary on her visit to the City and later, as a student at Oxford, to debate before Queen Elizabeth. He was described as “one of the diamonds of England”. Great men offered him patronage. In the turmoil of the Reformation this promised safety. His friend, Tobie Matthew, urged him to embrace the opportunities. Campion accepted ordination as an Anglican deacon and barred himself from the sacraments for twelve years.

His conscience troubled him. Matthew, who told him not to bother, went on to become the Anglican Bishop of Durham and Archbishop of York. As Evelyn Waugh says in his classic biography of Campion: ‘Tobie Matthew died full of honours in 1628, there but for the Grace of God went Edmund Campion.’

‘Hope, greatest and
ever-present to the Dead,
Hope is the Host
which I behold;
Here, be assembled
here,I pray;
Here celebrate God, and for
the afflicted seek peace.’


– An extract from Anima. The
original copy of Anima, which
Edmund Campion composed in
Latin in 1581 as he was
returning to the mission field in
England – and to certain death
– is held in the Collections

A 1581 illustration of St Edmund Campion and his execution.

Nevertheless, many remained loyal to the Church, and  Catholicism was particularly strong in some of the great aristocratic households of the Thames Valley and the Sacred County of Lancashire. It was to these houses, with their secret Catholic chapels and holes in which the sacred vessels and vestments (as well as the priests themselves in time of emergency) could be hidden, that Campion went to minister. In disguise he travelled  extensively ‘through the most part of the shires of England’ (Persons) hearing confessions and saying Mass for the faithful who would have had no access to the sacraments for many years and yet who had kept faith.

During this time Campion wrote Decem Rationes defending the claims of the Church against those of the state church. This document was widely circulated and led to an increase in the government.

He escaped overseas and was reconciled at Douai. He walked to Rome to join the Jesuits. He was assigned as a school master to the college at Prague. He might never have seen England again. A life in community and academia beckoned.


The call to the English mission came as a surprise. Campion answered it despite his fear that he had not the “constitutional courage”. He entered the country disguised as a jewel merchant and with Persons and others began the reorganisation of the scattered and dispirited Catholics. He travelled across the country between safe houses, confessing, offering the Mass, putting new spirit into those worn down by fines and imprisonment. “The harvest is wonderful…I cannot long escape the hands of the heretics; the enemy have so many eyes…I am in apparel to myself very ridiculous…”

With Persons he set up a secret printing press to circulate his ‘Ten Reasons’ for being a Catholic and his ‘Brag’ a justification of his mission and a challenge to the authorities. ‘And touching our Society, be it known to you that we have made a league—all the Jesuits in the world…cheerfully to carry the cross you shall lay upon us, and never to despair your recovery, while we have a man left to enjoy your Tyburn, or to be racked with your torments, or consumed with your prisons. The expense is reckoned, the enterprise is begun; it is of God; it cannot be withstood. So the faith was planted: so it must be restored.’

In the summer of 1581 he rode out of London, pausing at Tyburn to pray under the gallows. “Because”, says Persons, “he used to say that he would have his combat there.” He stopped at the Catholic house of Lyford Grange to say Mass, but there was a priest hunter in the congregation. The Gospel of the day was prophetic, ‘Jerusalem, Jerusalem, thou that killest the prophets.’

Captured, he was bound to his horse with the sign ‘Campion, seditious Jesuit’ pinned to his hat. He disappeared into the Tower for four months of interrogation and torture. Rumours flew, he had recanted, accepted a bishopric, betrayed his hosts. When he emerged, brought to debate with the Anglican divines, it was the same gentle, eloquent Campion who confounded his adversaries. Except, at his trial, he couldn’t lift his right arm to take the oath because of the racking.

Condemned to death by perjured witnesses and a packed jury, Campion spoke for all Catholics: “In condemning us, you condemn all your own ancestors, all our ancient bishops and kings, all that was once the glory of England; the island of saints, and the most devoted child of the See of Peter.”

He was dragged to execution on 1st December, his feast day. He greeted the crowd “God save you all, and make you all good Catholics.” His final words were to pray for the Queen; that “we may at last be friends in heaven, when all injuries shall be forgotten”.

The Campion Rope, which tied him to the hurdle and is now owned by the BritishProvince of the Society of Jesus.

So to the rope. We all face the same choice, whether to conform or stand for the truth. Today, we will probably not be called to a physical martyrdom. Instead we face the hostility of secularism, of licence masquerading as liberty and the marginalisation of spirit and faith. That’s as much a threat as anything the martyrs faced. Meeting it demands the constant courage and faithfulness that Campion inspires

That’s what the rope means.

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A world of treasures from the Holy Sepulchre to Paraguay

Friday 4th August 2017

The CHC @ The Catholic Universe

A world of treasures from the Holy Sepulchre to Paraguay

Jan Graffus
An old photograph of the Garden of Gethsemane just outside the city walls of Jerusalem

Stonyhurst College houses an impressive array of artefacts from all over the world, collected by Jesuit missionaries and former pupils, for the purpose of education, edification and the prompting of discussion about the universality of the search for God in the heart of mankind. 

These objects and many others like them will shortly be displayed in a new museum, set in the refurbished Old Chapel, a space which has been a chapel a museum, a library, a common room and is now to combine elements of all of these past incarnations.

An important area of the museum will focus on the global nature of the college’s collections, reflecting the fact that past and present pupils have come from all over the world to study at Stonyhurst. These artefacts tell important stories which have deep resonance for our own times. This article will examine three representative examples from the Old and New Worlds.

A simple brass mission bell from the Jesuit Reductions in Brazil, which dates from the early to mid 18th century, has a fascinating story. The Jesuit missions or reductions, as they were known, located in Paraguay, Argentina, Uruguay and Brazil, were unique in missionary history.

South America was colonised by Spain and Portugal in the early 16th century, and, from 1609 onwards, the Jesuits set up missions for the indigenous Tupí and Guaraní peoples. In return for the promise of tributes, the people were to be exempt from the usual policy of encomienda, or forced labour, that prevailed in the rest of Spanish and Portuguese South America. The Jesuits also protected them from the slave traders of the region.

The reductions were run on lines that were based on the early Christian communities described in the Acts of the Apostles. The inhabitants worked communal land, and the produce of their labours was shared out equally – food and dress was the same for all.

The model of the Holy Sepulchre

Free schools and hospitals were established in every community, and the Guaraní were reputed to be a completely literate society. They were skilled craftsmen and made intricate clocks and famously excellent musical instruments. Their working day was six hours long, as opposed to 12 or 14 hours elsewhere in South America, and the remainder was given over to music, dance and worship.

By the mid-18th century there were about 300,000 Indian Catholics in South America living on some 30 missions. In 1759 the Portuguese government, which had long regarded the Jesuits’ work as an attack on their authority, passed a decree expelling them from their territories. In 1767 the Spanish crown followed suit. The Guaraní abandoned their havens and retreated to the rain forests in the years following the expulsion of the Jesuits. Today all that is left of 150 years of a remarkable social and evangelical experiment are ruins. The 1986 Roland Joffé film, The Mission, tells the story of the Jesuit expulsion and the futile war of protest fought by the Guaraní. The film is set in the mission of São Miguel das Missões, which may be the original home of this Mass bell. In 1894, the then provincial superior of the German Jesuits presented the bell to Stonyhurst. 

A wood and mother-of-pearl model of the Church of the Holy Sepulchre, was created in 1760 by an Italian family of artisans, part of the souvenirs on offer to the thousands of Christian pilgrims who flocked to the Holy Land.

The Church of the Holy Sepulchre in Jerusalem is built over the most sacred site for Christians – the rock of Calvary where Jesus was crucified. It also encompasses the tomb in which he was laid – the Holy Sepulchre.

This is the place where St Helena, the mother of the 4th century Roman emperor, Constantine, was reputed to have discovered the cross to which Christ was nailed. After the failed Jewish revolt against Roman occupation in the year 70 AD, much of Jerusalem was destroyed and the site of the Crucifixion was hidden below a Temple dedicated to Venus. In 325 Constantine, newly converted to Christianity, started to build a huge basilica, encompassing the Rock of Calvary, the site of the Tomb of Christ, and the place where his own mother, Helena, had found the cross.

 In the 7th century, Jerusalem was captured by the Persians and became a Muslim city. The new rulers were generally happy to allow Christian pilgrimage to flourish, and the numbers making the dangerous and lengthy journey grew. In 1009 the Caliph destroyed the church, hacking the site of the tomb down to the bedrock. The shock and outrage reverberating throughout Christian Europe was one of the catalysts for the Crusades, which followed in 1099.

In the 12th century, restoration of the ruined church began, and this continued down to the 16th century when much work was done by the Franciscans. Further work is still needed today, but agreement between the Christian guardians of the site of the Holy Sepulchre is difficult to obtain, and disagreements and tensions are common. Pilgrimages to this most holy of places have been taking place for almost 2000 years, bringing important revenue to the local inhabitants.

The brass mission bell

People who made the journey in the past invariably wanted a tangible reminder of their efforts, and the souvenir trade has prospered in Jerusalem since the 8th-century German monk, Brother Felix, noted with dismay that the sellers of souvenirs followed him even into the church itself. That did not stop him buying many items. This model of the church was at the top end of the market.

It was aimed at the wealthy and fashionable pilgrim and is made from expensively engraved mother or pearl and carved bone. The model comes apart to show the interior, including the Holy Sepulchre itself. It was made in 1760 by an Italian craftsman, Gioani, whose father Giuse had evidently been in the same business and had gained some fame for himself as a maker of these models.

A pair of beaded deerskin Plains Indian Moccasins has another story to tell. Much of early North American Jesuit missionary history is told through numerous letters known as the Jesuit Relations. In addition to relating the stories of such 17th-century Jesuit martyrs as Isaac Jogues (1607-1646) and Jean Brébeuf (1594-1649), they provide invaluable details of the customs and practices of the Indians.

In the early 19th century the region from Saint Louis in Missouri to the Pacific Northwest was opened up by a Belgian Jesuit, Fr Pierre de Smet (1801- 1873) who arrived in America as a youthful missionary, aged 20.

Following the trails laid out by fur traders and frontiersmen, Fr de Smet travelled tirelessly, forming close bonds with many Indian people, for whom he was the one westerner they could trust. He mediated and defended them against exploitation and fraud by traders, settlers and government agents.

For over 20 years he worked for peace between the civil authorities and the Sioux Indians, and was highly respected for his honesty and plain speaking by their chief Tatanka Iyotaka (1831-1890), better known as Sitting Bull. Fr de Smet made no fewer than 19 journeys back to Europe to seek support for the North American missions. On one of these he travelled to Lancashire and spoke at Stonyhurst College. Shortly after Fr de Smet’s death in 1873, an unknown Jesuit gave the deerskin moccasins to Stonyhurst. 

 

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A life of exploration led Waterton to discover the need to preserve nature

Friday 2nd June 2017

The CHC @ The Catholic Universe

A life of exploration led Waterton to discover the need to preserve nature

Stonyhurst College is renowned for its impressive collections of art, medieval manuscripts, Catholic artefacts, vestments and relics, displayed throughout the school and in its three libraries, home to some 60,000 books including a First Folio of Shakespeare.

What is less well know is that the College also houses many nationally and internationally significant Natural History collections, which reflect important 19th century developments in science and medicine.

Charles Waterton was a pupil at Stonyhurst College in the late 1790s. He came from a landed gentry family descended from numerous saints, including Vladimir the Great, Saint Anna of Russia, Saint Stephen of Hungary, Saint Margaret of Scotland and Saint Thomas More. 

The family remained staunchly Catholic after the Reformation and as a result forfeited much of their land and wealth, leaving them only Walton Hall near Wakefield. While at Stonyhurst, the young Waterton’s interest in exploration and wildlife was already evident and the Jesuit teachers encouraged him to explore while attending to his studies at the same time.

The painting of Charles Waterton riding on a cayman

They came to an unusual compromise with the 11-year-old boy, as he noted in his autobiography: ‘By a mutual understanding, I was considered rat-catcher to the establishment, and also fox-taker, foumart-killer, and cross-bow charger at the time when the young rooks were fledged. I followed up my calling with great success. The vermin disappeared by the dozen; the books were moderately well-thumbed and according to my notion of things, all went on perfectly right.’

In 1804 he travelled to Guyana to take charge of his uncle’s estates near Georgetown. In 1812 he started to explore the interior of the country, and reached Brazil having walked barefoot in the rainy season. He described his natural history discoveries in his book Waterton’s Wanderings in South America, published in 1821.

Waterton was a skilled taxidermist and preserved many of the animals he encountered on his expeditions for study by scientists and naturalists back in Britain. He employed a unique method of taxidermy, soaking the specimens in what he called ‘sublimate of mercury’, a highly toxic chemical.

 Unlike many traditionally stuffed animals, his specimens are hollow and lifelike. Some specimens displayed his anarchic sense of humour, as he created animals which resembled those with whom he disagreed, such as the Hanoverian monarchy, Martin Luther and an unnamed English Customs official who charged him excessive duty to bring his specimens into the country. 

Other creations reflect his affection for his Jesuit teachers, including a large crab holding a crucifix, beside which is a poem written by Waterton telling the story of the crab that returned St Francis Xavier’s crucifix when he dropped it in the sea in Goa. 

The crab holding a crucifix

Many hundreds of these remarkable animals are preserved to this day at Stonyhurst College, along with a remarkable painting showing Waterton riding on a cayman

Charles Waterton is credited with bringing the anaesthetic agent curare to Europe. In London, with Fellows of the Royal Society, he immobilised several animals, including a cat and a mule, with the substance which he called wourali, after the Guyanan name for the poison where it was used to hunt animals for food. The mule was renamed Wouralia and lived for years at Walton Hall as a local celebrity. This was the first recorded use of a muscle relaxant in a medical context, and was the basis for modern anaesthesia.

Waterton was keen to learn about all manner of poisons, collecting snakes and tarantulas, and used his own body in experiments to discover their effects. He longed to be bitten by a vampire bat, and slept in the rainforest with his feet sticking out of his hammock in the vain hope that the creatures would find them irresistible. He was a passionate conserver of nature, and spent the equivalent of £1million building a nine-foot-high wall around three miles of his estate at Walton Hall, turning it into the world’s first wildfowl and nature reserve.

David Attenborough has described him as a champion of nature conservation and “one of the first people anywhere to recognise, not only that the natural world was of great importance, but that it needed protection as humanity made more and more demands on it”. Waterton was a vehement opponent of slavery, finding the practice inhuman and utterly repellent to his strong Catholic faith. By an extraordinary coincidence one of the slaves with whom Waterton worked in Guyana was to have a significant influence on one of the greatest scientific thinkers of the 19th century

A large preserved jungle spider

John Edmonstone was a black slave, the property of Charles Edmonstone, an expatriate Scot who owned plantations in Guyana. He learned taxidermy from Charles Waterton, who had married Anne, Charles Edmonstone’s daughter.

 John accompanied Waterton on his expeditions into the rainforest to collect animals, learning how to preserve the skins to prevent their decomposition. In 1807 John Edmonstone was freed, and came to Scotland with his former master. He moved to Edinburgh where he taught taxidermy to students at Edinburgh University. 

Charles Darwin came to Edinburgh in 1825 to study medicine, but found himself unsuited for the study of human anatomy and surgery. During his first winter at Edinburgh, Darwin hired Edmonstone to teach him taxidermy for one guinea a week. Edmonstone gave Charles Darwin inspiring accounts of tropical rain forests in South America and may have encouraged Darwin to explore there. Certainly the taxidermy Darwin learned from Edmonstone helped him greatly during the voyage of the SS Beagle, and arguably he might have never embarked on the historic journey without Edmonstone’s mentorship

He spent his childhood in Brussels, where his father was Austrian envoy to Belgium, and moved to England in 1867. As a Catholic, von Hügel was ineligible for entry to Cambridge and Oxford and was educated through Stonyhurst College’s undergraduate programme, where he read Philosophy.

Suffering from bad health, he was advised to travel to a warmer climate and embarked on a trip to the South Pacific in 1874. He collected and recorded whatever information and objects he could find. Entranced by the beauty of Fiji, he learned the language, although his passion for collecting led him into difficulties and he was more than once rescued by the governor who described him as ‘half starved, having spent all his money, and having even cut the buttons off his clothes in exchange for native ornaments’. Back in England, in 1883 von Hügel was appointed curator of the new Museum of General and Local Archaeology in Cambridge, which is now the Cambridge University Museum of Archaeology and Anthropology. 

He was a surprising choice. Although his scholarship was well known by this time, he was a foreigner and Catholic. Throughout his life he devoted himself to Catholic causes and when Catholics were once more eligible for entry to Cambridge and Oxford in 1895, he immediately founded, together with Henry Fitzalan-Howard, 15th Duke of Norfolk, a hall of residence in Cambridge. 

Established in 1896, St Edmund’s College soon became the preferred college for Catholic students and scholars in Cambridge and now also houses a research institute named after von Hügel. Founded in 1987, the Von Hügel Institute is a Roman Catholic research institute dedicated to the study of the relationship of Christianity

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Stonyhurst Jacobite paintings recall the Catholic ‘kings over the water’

 May 2017

The CHC @ The Catholic Universe

Stonyhurst Jacobite paintings recall the Catholic ‘kings over the water’

Elizabeth Robinson

The extensive art collection at Stonyhurst College has been built up since the foundation of the school itself in St. Omers, France, in 1593. The collection includes works by Rubens,Turner, Dürer and Rembrandt. As might be expected in a Jesuit college, the art reflects Catholic religion and history. Stonyhurst owes most of its paintings to Fr Thomas Glover, SJ (1781-1849), the Jesuit agent for the English Province in Rome.

‘If all our missionaries would save up a few pounds annually, all their chapels and houses might be in a short time devotionally furnished’ he wrote, and his efforts at Stonyhurst College reflect his industrious gathering of art in Rome, including Flemish medieval diptychs, Italian Renaissance and baroque works.

The Alberoni Collection at Stonyhurst holds interesting pieces of Jacobite propaganda. Ten paintings were collected by Fr. Glover in the 1830s from the villa of Cardinal Giulio Alberoni (1664 -1752). Some of the paintings seem to have been given to him by the Stuarts in return for his support and organisation of the two Spanish-led Jacobite uprisings of 1719.

 

A painting of Stonyhurst by JMW Turner

These paintings include one by Benedetto Gennari commissioned by Queen Mary Beatrice of Modena of the infant James Francis Edward Stuart, Prince of Wales. This painting hung in the Queen’s bedchamber and shows the Prince as a strong and healthy baby holding a parakeet, in luxurious surroundings. The painting emphasised the difference between the exiled Stuart royal family and the childless English monarchs, William and Mary, who had ousted the Stuarts.

The Alberoni Collection also includes a full length portrait of the young Prince Charles Edward Stuart, better known as Bonnie Prince Charlie, which was painted by Antonio David in 1726. This is the first official portrait of the Prince, and depicts him in the clothing of an adult. The Bonnie Prince is gesturing towards a crown with the feathers of the Prince of Wales and the motto ‘Ich Dien’, portraying him as the rightful heir to the British throne. Many of the paintings at the college have been donated by various benefactors and old pupils of Stonyhurst, but there was also a collection found in situ at Stonyhurst when the pupils and staff arrived in 1794, having been forced to leave their college on the Continent because of the French Revolution.

Stonyhurst had been the property of the Shireburn and Weld families, and was donated to the Jesuits to form their new school. When the Jesuits and their pupils travelled from Liège in 1794, the Stonyhurst mansion had become dilapidated and empty of furnishings. However, entries in Lady Catherine Shireburn’s Inventory Book of Household Goods at Stonyhurst, dated 1713, describe paintings which were clearly left behind by the family. These are still in the college collections today, depicting biblical scenes such as the Nativity, the Circumcision and the Flight into Egypt.

Stylistically they date from the mid17th century and may well have been bought by sons of the Shireburn family during their time at St Omers. According to the Shireburn Inventory, 20 of these paintings were in the family chapel in 1713 and survive at Stonyhurst as a testament to the spiritual life of English Catholic families trying to live their faith under the government penalties of the late 17th and early 18th centuries. 

The painting known at Stonyhurst as The Jesuit Family Tree was acquired in London in August 1834 and contains some two hundred portraits of members of the Society of Jesus. It is described as a ‘Spanish painting’ by Fr Norris, bought from an art dealer who asked £140 for it , describing it to have come ‘from Martin Luther’s house and it was a representation of the First Reformers’. Fr. Norris and Mr Jenkins realised that it was a Jesuit painting, and managed to purchase it with a frame for the bargain price of £52.

The Benedetto Gennari painting of the young Prince James

The painting was commissioned by King John of Portugal, a great supporter of the Jesuit Missions. It depicts the saints and martyrs of the Society in the mid 17th century, including the English martyrs, Edmund Campion, Robert Southwell and Henry Walpole. The painting contains four large landscape scenes depicting Jesuits working in the missions fields of Europe, Africa, Asia and America. It is a powerful reminder of the global nature of the Jesuit missions in the 16th and 17th centuries.

Of great interest to Stonyhurst is the painting of the college by J M W Turner, painted after his visit to the college in 1799. This is the first known image of Stonyhurst, painted by Turner while he was producing drawings of Whalley Abbey for Dr. Whittaker’s History of the Parish of Whalley published in 1801. This watercolour of Stonyhurst was exhibited in London in 1832-33 at the gallery of Messrs. Moon, Boys and Graves in Pall Mall East. This painting is a fascinating record of the original Tudor house at Stonyhurst.

The work by Dürer

The Great Triumphal Car of the Emperor Maximilian I is a massive wood engraving that took the artist, Albrecht Dürer, ten years to create. It is part of a much larger work, never completed, which was intended to be around one hundred and seventy-seven feet long. The print, as it stands, shows the Holy Roman Emperor, Maximilian I, processing in a public demonstration surrounded by the four Cardinal Virtues: Justice, Fortitude, Prudence and Temperance. A Winged Victory stands behind the emperor holding a laurel leaf crown with the titles of his military conquests in France, Hungary, Bohemia, Switzerland, Germany and Venice on its wings. 

The female driver of Maximilian’s car is titled Reason and she holds the reigns of Nobility and Power. The twelve powerful horses which pull the car reflect imperial virtues such as Speed, Providence and Gravity. The print was finally completed in 1522 and it was dedicated to Maximilian’s son, Charles V, the nephew of Queen Katherine of Aragon. There are over one hundred prints by Albrecht Dürer in the collections at Stonyhurst many of which are housed on the ‘Dürer Rocket’, a purpose built display case made by college carpenters in 1911.

The works described comprise a small part of the art collection at Stonyhurst which is used to help pupils and visiting researchers alike. It acts as a visual reminder of the global nature of Catholicism, and the teachings of the Church. The paintings act, as Fr Glover, hoped they would, as a devotional repository of inspirational art.